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Contaminated Dream Technique by Will Clarke 

£12 plus P&P £4 (outside UK please email for postage cost before buying)

205mm x 275mm / 50 pages / 170gsm Uncoated Recycled Paper & 350gsm cover

Perfect Bound / First Edition


Contaminated Dream Technique is a collection of silkscreen prints created in 2022 by London based artist Will Clarke. The prints were made with black acrylic ink on A0 & A1 sized 315gsm/200gsm Heritage drawing paper; the stencil designs were created from halftone photographic reproductions, monoprint mark making, digital pixal art and line drawings. Many of the prints are a result of overprinting with multiple screens whilst others are a straight print from a single screen.

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Lux In Tenebris - Will Clarke 2022

​£10 plus P&P £4 (outside UK please email for postage cost before buying)

216mm x 299mm / 66 pages / 130gsm Gloss pages - 350gsm Laminated gloss cover

Perfect Bound / First Edition

​Lux In Tenebris / Light In Darkness, is a collection of luminogram and chemigram style darkroom based abstract photographic works by London based artist Will Clarke. Created using experimental exposure and developing techniques, all the work in this book was made in 2021 using RA-4 colour development chemistry, Fujifilm Crystal Archive & Kodak Endura Premier paper, a Durst F-30 enlarger, 35mm negatives, colour acetates and LED lights. The results were then put through a large format scanner.

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Inner Void Openly  - Will Clarke Works  2018-2021  


£18 inc P&P (outside UK please email for postage cost before buying)

86 pages / Full colour / 150gsm Silk paper / 350gsm Gloss Front Cover

Perfect Bound / First Edition

​Inner Void Openly is a collection of mixed media artworks created over a three-year period by London based artist Will Clarke.
The source of the work utilizes the anonymous, story less nature of a collection of found slides and photographs. The photo media was digitally scanned and then integrated onto canvas and board via silk screen printing and inkjet/toner transfer. The transferred images were blended and collaged with abstract mark making, mono printing and paint layers, moving in the middle ground of abstraction and representation.

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In Phase Chrominance (2019) £25   SOLD OUT

180 pages of colour images printed on 150gsm satin paper with a heavy satin card front and back cover Limited first press.


Prints are available of all the images in the book with sizes ranging from A3 to A0. Printed on Hahnemuhle Photorag Pearl 320gsm and HP Pro Satin 260gsm using  Epsom HDR 10-colour pigment ink system.

​Please email for prices.

In Phase Chrominance is a collection of chemically altered images and collages constructed from found slides, photographs and 8mm film - a visual document of a journey into contemporary image making. The origin, year taken and location of the found material is unknown. The book is an exploration into image re-appropriation, photography ’s relationship with abstraction and an attempt to move away from convention and challenge visual conformities.

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